This Floating Poo Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

As we consider the television offerings of the past year, a handful of shows stand out not for their brilliance, but for their notable failures. Ranging from cringe-inducing spin-offs to confusingly bad docuseries, here are the programmes that left us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. Briefly, as the final season started, it looked like it had finally found its groove. Then came an episode all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was just way too symbolic. Yet, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was difficult to know where to begin enumerating the problems. The laughably leaden writing? The tedious glorification of wealth and materialism? The almost wilful parade of cliches? Performances so bad they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be saved for the people who have had to endure close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing dialects. But there were many other problems. Primarily that it was just profoundly boring; a conflict over narcotics territory between various cockney rogues which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as intentional statements. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about both Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this three-part series opted not to say them. Instead, the viewing was like reading a marketing catalogue. She clearly has every right to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any favours with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was trying way too hard to emulate something far greater than it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, somewhat stylised farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

Prime Target

We love the star … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? Nope! This international thriller about secret services spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual exploits as she prepared for her most extreme challenge yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Tyler Horn
Tyler Horn

A tech enthusiast and writer passionate about emerging technologies and their impact on society, sharing insights and discoveries.